To the Peak - Original Mix
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:09
- Released
- 2021
- Album
- VA - FJAAK / Elli Acula / Steffi
- Genre
- Techno
- Loudness
- -7.0 dB
- Dynamics
- 11.0 dB
- ISRC
- DEWX41800047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- To The Peakoriginal10A · 142
- To the Peak - Steffi Mixoriginal3B · 142
A driving up-tempo techno cut, To the Peak - Original Mix sits in B minor (10A) at 142 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of FJAAK's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 92% of FJAAK's catalogue
- Energy:
- hotter than 87% of FJAAK's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is To the Peak - Original Mix in?
To the Peak - Original Mix by FJAAK is in B minor, or 10A on the Camelot wheel.
What BPM is To the Peak - Original Mix?
To the Peak - Original Mix runs at 142 BPM, a driving up-tempo track.
What mixes well with To the Peak - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is To the Peak - Original Mix good for peak time?
With energy 96 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from FJAAK
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
