ETOS by Kangding Ray cover art
Key
9A · E minor
BPM
144
Half-time
72
Open Key
2m
Energy
97/100
Pop
15/100
Length
5:31
Released
2024
Genre
Techno
Loudness
-11.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

ETOS is a driving up-tempo techno track in E minor (9A) at 144 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Hotter than 96% of Kangding Ray's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 82% of Kangding Ray's catalogue
Tempo:
faster than 80% of Kangding Ray's catalogue
Reach:
better known than 77% of Kangding Ray's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood4Dark
Groove76
Acoustic1
Instrumental93
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is ETOS in?

ETOS by Kangding Ray is in E minor, or 9A on the Camelot wheel.

What BPM is ETOS?

ETOS runs at 144 BPM, a driving up-tempo track.

What mixes well with ETOS?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is ETOS good for peak time?

With energy 97 out of 100 at 144 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 144 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 144 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Kangding Ray

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track