Soul Surfing by Fatboy Slim cover art

Soul Surfing

Fatboy Slim

Key
3A · B♭ minor
BPM
142
Half-time
71
Open Key
8m
Energy
95/100
Pop
0/100
Length
4:56
Released
1998
Genre
Big Beat
Loudness
-7.0 dB
ISRC
GBBMQ9800090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Soul Surfing is a driving up-tempo big beat track in B♭ minor (3A) at 142 BPM. It is vocal-led. A 1998 production that still circulates in sets. More underground than 99% of Fatboy Slim's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more treble-tilted than 92% of Fatboy Slim's catalogue
Tempo:
faster than 90% of Fatboy Slim's catalogue
Energy:
hotter than 83% of Fatboy Slim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood53Balanced
Groove70
Acoustic32
Instrumental12
Live21
Speech29

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Soul Surfing in?

Soul Surfing by Fatboy Slim is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Soul Surfing?

Soul Surfing runs at 142 BPM, a driving up-tempo track.

What mixes well with Soul Surfing?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Soul Surfing good for peak time?

With energy 95 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 142 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#Track

More big beat

#Track

More from Fatboy Slim

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track