Glue by Bicep cover art

Glue

Bicep

30s preview

Key
9A · E minor
BPM
130
Open Key
2m
Energy
70/100
Pop
43/100
Length
4:30
Released
2017
Genre
Breaks
Label
Ninja Tune
Loudness
-11.7 dB
Dynamics
14.8 dB
ISRC
ES8741707116

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Glueoriginal9A · 130

A peak-time tempo breaks cut, Glue sits in E minor (9A) at 130 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. Groovier than 97% of Bicep's catalogue. In a set it works best as a floor-filler.

Reach:
better known than 93% of Bicep's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood51Balanced
Groove85
Acoustic2
Instrumental94
Live10
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Glue in?

Glue by Bicep is in E minor, or 9A on the Camelot wheel.

What BPM is Glue?

Glue runs at 130 BPM, a peak-time tempo track.

What mixes well with Glue?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Glue good for peak time?

With energy 70 out of 100 at 130 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More breaks

#Track

More from Bicep

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track