CHROMA 007 STEALL
30s preview
- Key
- 8A · A minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 37/100
- Length
- 5:41
- Released
- 2024
- Genre
- Breakbeat
- Loudness
- -4.8 dB
- Dynamics
- 10.6 dB
- ISRC
- GBCFB2401135
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
CHROMA 007 STEALL is a driving up-tempo breakbeat track in A minor (8A) at 145 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. Faster than 94% of Bicep's catalogue.
- Reach:
- better known than 87% of Bicep's catalogue
- Low end:
- more treble-tilted than 84% of Bicep's catalogue
- Energy:
- hotter than 75% of Bicep's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is CHROMA 007 STEALL in?
CHROMA 007 STEALL by Bicep is in A minor, or 8A on the Camelot wheel.
What BPM is CHROMA 007 STEALL?
CHROMA 007 STEALL runs at 145 BPM, a driving up-tempo track.
What mixes well with CHROMA 007 STEALL?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is CHROMA 007 STEALL good for peak time?
With energy 91 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 145 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More breakbeat
More from Bicep
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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