És tudo o que eu quero
30s preview
- Key
- 8B · C major
- BPM
- 141
- Half-time
- 71
- Open Key
- 1d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 3:54
- Released
- 2010
- Album
- Believix
- Genre
- Acid
- Loudness
- -8.3 dB
- Dynamics
- 12.8 dB
- ISRC
- PTBM11000203
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 141 BPM in C major (8B), És tudo o que eu quero is a driving up-tempo acid production. The feel is bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 96% of Josh Wink's catalogue
- Low end:
- more treble-tilted than 83% of Josh Wink's catalogue
- Tempo:
- faster than 82% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is És tudo o que eu quero in?
És tudo o que eu quero by Josh Wink is in C major, or 8B on the Camelot wheel.
What BPM is És tudo o que eu quero?
És tudo o que eu quero runs at 141 BPM, a driving up-tempo track.
What mixes well with És tudo o que eu quero?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is És tudo o que eu quero good for peak time?
With energy 69 out of 100 at 141 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 141 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
