Acid King - Stripped Mix
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 7d
- Energy
- 79/100
- Pop
- 8/100
- Length
- 9:59
- Released
- 2021
- Album
- Acid King
- Genre
- Acid
- Label
- From Our Minds
- Loudness
- -11.3 dB
- Dynamics
- 9.7 dB
- ISRC
- USA2P2130642
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Acid King - Full Tilt Mixoriginal8B · 142
- Acid King - F.U.S.E. Bass Dubversion8B · 142
- Acid King - Bonus Beatsoriginal3B · 142
- Acid King - Voxoriginal9B · 124
Acid King - Stripped Mix is a driving up-tempo acid track in F♯ major (2B) at 142 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 92% of Richie Hawtin's catalogue. In a set it works best as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Acid King - Stripped Mix in?
Acid King - Stripped Mix by Richie Hawtin is in F♯ major, or 2B on the Camelot wheel.
What BPM is Acid King - Stripped Mix?
Acid King - Stripped Mix runs at 142 BPM, a driving up-tempo track.
What mixes well with Acid King - Stripped Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Acid King - Stripped Mix good for peak time?
With energy 79 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 142 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More acid
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
