Fearful Nights (Boston 168 remix) by Regal cover art

Fearful Nights (Boston 168 remix)

Regal

Key
10A · B minor
BPM
142
Half-time
71
Open Key
3m
Energy
90/100
Pop
8/100
Length
5:41
Released
2021
Genre
Techno
Loudness
-9.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2B at 110 BPM), this version runs 32 BPM faster and moves the key from 2B to 10A.

Fearful Nights (Boston 168 remix) is a driving up-tempo techno track in B minor (10A) at 142 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Less groove-driven than 94% of Regal's catalogue. For programming, treat it as a high-intensity peak cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood22Dark
Groove48
Acoustic0
Instrumental89
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fearful Nights (Boston 168 remix) in?

Fearful Nights (Boston 168 remix) by Regal is in B minor, or 10A on the Camelot wheel.

What BPM is Fearful Nights (Boston 168 remix)?

Fearful Nights (Boston 168 remix) runs at 142 BPM, a driving up-tempo track.

What mixes well with Fearful Nights (Boston 168 remix)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Fearful Nights (Boston 168 remix) good for peak time?

With energy 90 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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