That Chord Again
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 4/100
- Length
- 4:35
- Released
- 2024
- Genre
- Techno
- Loudness
- -8.4 dB
- Dynamics
- 8.6 dB
- ISRC
- NLMH62400031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
That Chord Again: driving up-tempo techno, B minor (10A), 142 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 91% of Truncate's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 90% of Truncate's catalogue
- Groove:
- less groove-driven than 78% of Truncate's catalogue
- Low end:
- more treble-tilted than 78% of Truncate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is That Chord Again in?
That Chord Again by Truncate is in B minor, or 10A on the Camelot wheel.
What BPM is That Chord Again?
That Chord Again runs at 142 BPM, a driving up-tempo track.
What mixes well with That Chord Again?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is That Chord Again good for peak time?
With energy 94 out of 100 at 142 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
How to mix it
In 10A at 142 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Truncate
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
