Endgegner
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 4d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:23
- Released
- 2020
- Album
- Der Weg des Kriegers
- Genre
- Techno
- Loudness
- -7.5 dB
- Dynamics
- 15.7 dB
- ISRC
- DEH742003725
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Endgegner runs 142 BPM in A major (11B), a driving up-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of SHDW & Obscure Shape's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 99% of SHDW & Obscure Shape's catalogue
- Brightness:
- brighter than 95% of SHDW & Obscure Shape's catalogue
- Groove:
- less groove-driven than 91% of SHDW & Obscure Shape's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Endgegner in?
Endgegner by SHDW & Obscure Shape is in A major, or 11B on the Camelot wheel.
What BPM is Endgegner?
Endgegner runs at 142 BPM, a driving up-tempo track.
What mixes well with Endgegner?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Endgegner good for peak time?
With energy 97 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 142 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from SHDW & Obscure Shape
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
