Am Ende Der Welt
30s preview
- BPM
- 130
- Open Key
- 8d
- Energy
- 58/100
- Pop
- 12/100
- Length
- 5:38
- Released
- 2017
- Album
- Himmel Und Erde EP
- Genre
- Techno
- Loudness
- -11.8 dB
- Dynamics
- 7.5 dB
- ISRC
- GBLTF1700015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in D♭ major (3B), Am Ende Der Welt is a peak-time tempo techno production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of SHDW & Obscure Shape's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 95% of SHDW & Obscure Shape's catalogue
- Low end:
- more bass-heavy than 89% of SHDW & Obscure Shape's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 58%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 7%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Am Ende Der Welt in?
Am Ende Der Welt by SHDW & Obscure Shape is in D♭ major, or 3B on the Camelot wheel.
What BPM is Am Ende Der Welt?
Am Ende Der Welt runs at 130 BPM, a peak-time tempo track.
What mixes well with Am Ende Der Welt?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Am Ende Der Welt good for peak time?
With energy 58 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from SHDW & Obscure Shape
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
