Dreizehnspecht - Nathan Fake Remix
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 8:14
- Released
- 2020
- Album
- Mannigfaltig Remixes (Pt. 1)
- Genre
- Tech House
- Loudness
- -9.6 dB
- Dynamics
- 9.5 dB
- ISRC
- DEG932001840
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dreizehnspecht (Nathan Fake Remix)remix3A · 130
At 130 BPM in B♭ minor (3A), Dreizehnspecht - Nathan Fake Remix is a peak-time tempo tech house production. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 89% of Dominik Eulberg's catalogue
- Tempo:
- faster than 85% of Dominik Eulberg's catalogue
- Brightness:
- darker than 80% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Dreizehnspecht - Nathan Fake Remix in?
Dreizehnspecht - Nathan Fake Remix by Dominik Eulberg is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dreizehnspecht - Nathan Fake Remix?
Dreizehnspecht - Nathan Fake Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Dreizehnspecht - Nathan Fake Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dreizehnspecht - Nathan Fake Remix good for peak time?
With energy 57 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
