Emerald - Reprise
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 56/100
- Pop
- 22/100
- Length
- 3:00
- Released
- 2010
- Album
- Emerald
- Genre
- Progressive House
- Loudness
- -15.7 dB
- Dynamics
- 16.7 dB
- ISRC
- GBEPM0700148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Emeraldoriginal4A · 130
- Emerald - Grayarea's Speakeasy remixremix3B · 130
- Emerald - Bedrock Dubversion3B · 130
- Emerald - Charlie May's Quartzite Cluster Mixoriginal3B · 130
- Emerald - Filterheadz Remixremix4A · 130
- Emerald - Henry Saiz Psychedelic Tech Tooloriginal9A · 126
Emerald - Reprise is a peak-time tempo progressive house track in F minor (4A) at 130 BPM. The feel is bright and easy. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2010 production that still circulates in sets. More treble-tilted than 96% of John Digweed's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 93% of John Digweed's catalogue
- Reach:
- better known than 91% of John Digweed's catalogue
- Energy:
- calmer than 90% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Emerald - Reprise in?
Emerald - Reprise by John Digweed is in F minor, or 4A on the Camelot wheel.
What BPM is Emerald - Reprise?
Emerald - Reprise runs at 130 BPM, a peak-time tempo track.
What mixes well with Emerald - Reprise?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Emerald - Reprise good for peak time?
With energy 56 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
