Beautiful Strange - Ambient Mix Radio Edit
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 5m
- Energy
- 68/100
- Pop
- 32/100
- Length
- 3:10
- Released
- 2025
- Album
- Beautiful Strange
- Genre
- Progressive House
- Label
- Pioneer
- Loudness
- -10.5 dB
- Dynamics
- 17.2 dB
- ISRC
- GBKQU2548757
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Beautiful Strange - Ambient Mix Radio Edit is a slow-groove tempo progressive house track in D♭ minor (12A) at 100 BPM. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 98% of John Digweed's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 97% of John Digweed's catalogue
- Tempo:
- slower than 96% of John Digweed's catalogue
- Reach:
- better known than 96% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 20%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Beautiful Strange - Ambient Mix Radio Edit in?
Beautiful Strange - Ambient Mix Radio Edit by John Digweed is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Beautiful Strange - Ambient Mix Radio Edit?
Beautiful Strange - Ambient Mix Radio Edit runs at 100 BPM, a slow-groove tempo track.
What mixes well with Beautiful Strange - Ambient Mix Radio Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Beautiful Strange - Ambient Mix Radio Edit good for peak time?
With energy 68 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 100 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
