Live Off The Grid
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 3d
- Energy
- 72/100
- Pop
- 7/100
- Length
- 7:12
- Released
- 2014
- Album
- The Traveler
- Genre
- Progressive House
- Label
- Bedrock Records
- Loudness
- -11.0 dB
- Dynamics
- 12.5 dB
- ISRC
- GBEPM1400923
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Live Off The Gridoriginal10B · 121
Live Off The Grid: slow-groove tempo progressive house, D major (10B), 100 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Darker than 97% of John Digweed's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 96% of John Digweed's catalogue
- Low end:
- more bass-heavy than 83% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Live Off The Grid in?
Live Off The Grid by John Digweed is in D major, or 10B on the Camelot wheel.
What BPM is Live Off The Grid?
Live Off The Grid runs at 100 BPM, a slow-groove tempo track.
What mixes well with Live Off The Grid?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Live Off The Grid good for peak time?
With energy 72 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 100 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
