Vanishing Point
- Key
- 9B · G major
- BPM
- 200
- Half-time
- 100
- Open Key
- 2d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2025
- Genre
- Tech House
- Loudness
- -8.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 200 BPM in G major (9B), Vanishing Point is a tech house production. The feel is balanced in mood. It is vocal-led. Faster than 99% of Tim Green's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Tim Green's catalogue
- Groove:
- less groove-driven than 95% of Tim Green's catalogue
- Energy:
- calmer than 82% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Vanishing Point in?
Vanishing Point by Tim Green is in G major, or 9B on the Camelot wheel.
What BPM is Vanishing Point?
Vanishing Point runs at 200 BPM.
What mixes well with Vanishing Point?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Vanishing Point good for peak time?
With energy 54 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 200 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
