Santiago - Parallel Sound edit
30s preview
- BPM
- 130
- Open Key
- 9d
- Energy
- 60/100
- Pop
- 6/100
- Length
- 9:04
- Released
- 2005
- Album
- Santiago
- Genre
- Progressive House
- Loudness
- -11.2 dB
- Dynamics
- 10.4 dB
- ISRC
- GBEPM0500310
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Santiago - Cristina Lazic Remixremix2B · 128
- Santiago - Bedrock St James mixoriginal3A · 128
- Santiago - Hernan Cattaneo & Martin Garcia remixremix1A · 128
- Santiago - Bedrock's La Coruna mixoriginal3A · 126
- Santiago - Sinca Remixremix4B · 125
- Santiago - Guy Gerber's Hotrod mixoriginal7B · 130
Against the original (3A at 128 BPM), this version runs 2 BPM faster and moves the key from 3A to 4B.
Santiago - Parallel Sound edit is a peak-time tempo progressive house track in A♭ major (4B) at 130 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. Brighter than 94% of Nick Muir's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 88% of Nick Muir's catalogue
- Tempo:
- faster than 87% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Santiago - Parallel Sound edit in?
Santiago - Parallel Sound edit by Nick Muir is in A♭ major, or 4B on the Camelot wheel.
What BPM is Santiago - Parallel Sound edit?
Santiago - Parallel Sound edit runs at 130 BPM, a peak-time tempo track.
What mixes well with Santiago - Parallel Sound edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Santiago - Parallel Sound edit good for peak time?
With energy 60 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Nick Muir
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
