Santiago - Guy Gerber's Hotrod mix
30s preview
- Key
- 7B · F major
- BPM
- 130
- Open Key
- 12d
- Energy
- 52/100
- Pop
- 2/100
- Length
- 8:28
- Released
- 2005
- Album
- Santiago (remixes)
- Genre
- Progressive House
- Loudness
- -11.6 dB
- Dynamics
- 14.8 dB
- ISRC
- GBEPM0500312
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Santiago - Cristina Lazic Remixremix2B · 128
- Santiago - Bedrock St James mixoriginal3A · 128
- Santiago - Parallel Sound editversion4B · 130
- Santiago - Hernan Cattaneo & Martin Garcia remixremix1A · 128
- Santiago - Bedrock's La Coruna mixoriginal3A · 126
- Santiago - Sinca Remixremix4B · 125
A peak-time tempo progressive house cut, Santiago - Guy Gerber's Hotrod mix sits in F major (7B) at 130 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2005 production that still circulates in sets. Calmer than 96% of Nick Muir's catalogue.
- Tempo:
- faster than 87% of Nick Muir's catalogue
- Brightness:
- brighter than 81% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Santiago - Guy Gerber's Hotrod mix in?
Santiago - Guy Gerber's Hotrod mix by Nick Muir is in F major, or 7B on the Camelot wheel.
What BPM is Santiago - Guy Gerber's Hotrod mix?
Santiago - Guy Gerber's Hotrod mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Santiago - Guy Gerber's Hotrod mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Santiago - Guy Gerber's Hotrod mix good for peak time?
With energy 52 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 130 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Nick Muir
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
