Part of You by Elderbrook cover art

Part of You

Elderbrook

30s preview

Key
9B · G major
BPM
130
Open Key
2d
Energy
63/100
Pop
37/100
Length
3:36
Released
2024
Genre
House
Loudness
-9.5 dB
Dynamics
8.9 dB
ISRC
US38Y2411864

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Part of You runs 130 BPM in G major (9B), a peak-time tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 91% of Elderbrook's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 78% of Elderbrook's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood33Balanced
Groove70
Acoustic3
Instrumental25
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Part of You in?

Part of You by Elderbrook is in G major, or 9B on the Camelot wheel.

What BPM is Part of You?

Part of You runs at 130 BPM, a peak-time tempo track.

What mixes well with Part of You?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Part of You good for peak time?

With energy 63 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More house

More from Elderbrook

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track