Bette Davis Eyes by Elderbrook cover art

Bette Davis Eyes

Elderbrook

30s preview

Key
6A · G minor
BPM
110
Open Key
11m
Energy
50/100
Pop
58/100
Length
2:57
Released
2025
Genre
House
Loudness
-7.9 dB
Dynamics
10.3 dB
ISRC
US39N2554188

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo house cut, Bette Davis Eyes sits in G minor (6A) at 110 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 96% of Elderbrook's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 86% of Elderbrook's catalogue
Energy:
calmer than 76% of Elderbrook's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood31Dark
Groove69
Acoustic78
Instrumental0
Live12
Speech15

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Bette Davis Eyes in?

Bette Davis Eyes by Elderbrook is in G minor, or 6A on the Camelot wheel.

What BPM is Bette Davis Eyes?

Bette Davis Eyes runs at 110 BPM, a mid-tempo track.

What mixes well with Bette Davis Eyes?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Bette Davis Eyes good for peak time?

With energy 50 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#Track

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 110 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track