Gone fishing - Ruben Coslada Remix
- BPM
- 110
- Open Key
- 3d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 7:19
- Released
- 2021
- Album
- Gone fishing
- Genre
- Deep House
- Loudness
- -11.1 dB
- ISRC
- GBLV62041110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gone fishingoriginal5B · 115
- Gone fishing - Daniel Hokum Remixremix10B · 105
- Gone fishing - Bufi Remixremix10B · 119
Against the original (5B at 115 BPM), this version runs 5 BPM slower and moves the key from 5B to 10B.
Gone fishing - Ruben Coslada Remix is a mid-tempo deep house track in D major (10B) at 110 BPM. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Timboletti's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Timboletti's catalogue
- Tempo:
- slower than 88% of Timboletti's catalogue
- Brightness:
- brighter than 84% of Timboletti's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Gone fishing - Ruben Coslada Remix in?
Gone fishing - Ruben Coslada Remix by Timboletti is in D major, or 10B on the Camelot wheel.
What BPM is Gone fishing - Ruben Coslada Remix?
Gone fishing - Ruben Coslada Remix runs at 110 BPM, a mid-tempo track.
What mixes well with Gone fishing - Ruben Coslada Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Gone fishing - Ruben Coslada Remix good for peak time?
With energy 42 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 110 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Timboletti
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
