No One Else by Nils Hoffmann cover art

No One Else

Nils Hoffmann

30s preview

Key
3B · D♭ major
BPM
110
Open Key
8d
Energy
37/100
Pop
36/100
Length
3:26
Released
2022
Genre
Deep House
Loudness
-12.4 dB
Dynamics
12.2 dB
ISRC
GBEWA2204179

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo deep house cut, No One Else sits in D♭ major (3B) at 110 BPM. The feel is brooding and low-slung. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 97% of Nils Hoffmann's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 96% of Nils Hoffmann's catalogue
Reach:
better known than 90% of Nils Hoffmann's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood13Dark
Groove66
Acoustic52
Instrumental3
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is No One Else in?

No One Else by Nils Hoffmann is in D♭ major, or 3B on the Camelot wheel.

What BPM is No One Else?

No One Else runs at 110 BPM, a mid-tempo track.

What mixes well with No One Else?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is No One Else good for peak time?

With energy 37 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 110 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

More deep house

#Track

More from Nils Hoffmann

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track