The Lows
30s preview
- BPM
- 111
- Open Key
- 4m
- Energy
- 35/100
- Pop
- 0/100
- Length
- 3:24
- Released
- 2011
- Genre
- House
- Loudness
- -11.1 dB
- Dynamics
- 13.7 dB
- ISRC
- GB7NR1218212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo house cut, The Lows sits in F♯ minor (11A) at 111 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of Jamie Jones's catalogue
- Tempo:
- slower than 93% of Jamie Jones's catalogue
- Low end:
- more bass-heavy than 93% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is The Lows in?
The Lows by Jamie Jones is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Lows?
The Lows runs at 111 BPM, a mid-tempo track.
What mixes well with The Lows?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Lows good for peak time?
With energy 35 out of 100 at 111 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 111 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
