Funebre
30s preview
- Key
- 4A · F minor
- BPM
- 112
- Open Key
- 9m
- Energy
- 30/100
- Pop
- 11/100
- Length
- 13:41
- Released
- 2020
- Genre
- Deep House
- Loudness
- -21.9 dB
- Dynamics
- 17.8 dB
- ISRC
- DEN962002960
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Funebre is a mid-tempo deep house track in F minor (4A) at 112 BPM. It reads as brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Darker than 99% of Christian Löffler's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 97% of Christian Löffler's catalogue
- Tempo:
- slower than 85% of Christian Löffler's catalogue
- Energy:
- calmer than 81% of Christian Löffler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Funebre in?
Funebre by Christian Löffler is in F minor, or 4A on the Camelot wheel.
What BPM is Funebre?
Funebre runs at 112 BPM, a mid-tempo track.
What mixes well with Funebre?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Funebre good for peak time?
With energy 30 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 112 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More deep house
More from Christian Löffler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
