The Third in Line by Dandara cover art

The Third in Line

Dandara

30s preview

Key
3A · B♭ minor
BPM
114
Open Key
8m
Energy
43/100
Pop
21/100
Length
6:17
Released
2020
Album
Third in Line
Genre
Euro House
Loudness
-16.7 dB
Dynamics
9.2 dB
ISRC
US83Z2011698

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Third in Line is a mid-tempo euro house track in B♭ minor (3A) at 114 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 98% of Dandara's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 88% of Dandara's catalogue
Energy:
calmer than 83% of Dandara's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood20Dark
Groove81
Acoustic9
Instrumental93
Live18
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
49%
Low
30-130 Hz
37%
Low-mid
130-570 Hz
10%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is The Third in Line in?

The Third in Line by Dandara is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Third in Line?

The Third in Line runs at 114 BPM, a mid-tempo track.

What mixes well with The Third in Line?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Third in Line good for peak time?

With energy 43 out of 100 at 114 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 114 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

More euro house

#Track

More from Dandara

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track