Take This Higher by Kellerkind cover art

Take This Higher

Kellerkind

Key
6A · G minor
BPM
115
Open Key
11m
Energy
41/100
Pop
2/100
Length
6:44
Released
2013
Genre
Tech House
Loudness
-10.8 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Take This Higher: mid-tempo tech house, G minor (6A), 115 BPM. The feel is balanced in mood. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 97% of Kellerkind's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 95% of Kellerkind's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood55Balanced
Groove79
Acoustic1
Instrumental68
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Take This Higher in?

Take This Higher by Kellerkind is in G minor, or 6A on the Camelot wheel.

What BPM is Take This Higher?

Take This Higher runs at 115 BPM, a mid-tempo track.

What mixes well with Take This Higher?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Take This Higher good for peak time?

With energy 41 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 115 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

#Track

More tech house

More from Kellerkind

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track