Sunset - Salski Rework
- Key
- 7A · D minor
- BPM
- 118
- Open Key
- 12m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 6:29
- Released
- 2016
- Album
- Sunset (Remixes)
- Genre
- Tech House
- Loudness
- -11.0 dB
- ISRC
- RUB521204457
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sunsetoriginal8A · 118
- Sunset - Dro's Bayside Remixremix8A · 122
Against the original (8A at 118 BPM), this version holds the same tempo and moves the key from 8A to 7A.
Sunset - Salski Rework is a mid-tempo tech house track in D minor (7A) at 118 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Yulia Niko's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Yulia Niko's catalogue
- Tempo:
- slower than 98% of Yulia Niko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sunset - Salski Rework in?
Sunset - Salski Rework by Yulia Niko is in D minor, or 7A on the Camelot wheel.
What BPM is Sunset - Salski Rework?
Sunset - Salski Rework runs at 118 BPM, a mid-tempo track.
What mixes well with Sunset - Salski Rework?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Sunset - Salski Rework good for peak time?
With energy 44 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 118 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tech house
More from Yulia Niko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
