Fragments of Self by Max Cooper cover art

Fragments of Self

Max Cooper

Key
10B · D major
BPM
118
Open Key
3d
Energy
42/100
Pop
24/100
Length
5:15
Released
2013
Genre
Techno
Loudness
-11.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo techno cut, Fragments of Self sits in D major (10B) at 118 BPM. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Darker than 83% of Max Cooper's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 83% of Max Cooper's catalogue
Energy:
calmer than 81% of Max Cooper's catalogue
Tempo:
slower than 80% of Max Cooper's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood4Dark
Groove69
Acoustic47
Instrumental63
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fragments of Self in?

Fragments of Self by Max Cooper is in D major, or 10B on the Camelot wheel.

What BPM is Fragments of Self?

Fragments of Self runs at 118 BPM, a mid-tempo track.

What mixes well with Fragments of Self?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Fragments of Self good for peak time?

With energy 42 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 118 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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