
Feraq (Armen Miran Remix)
30s preview
- BPM
- 119
- Open Key
- 3d
- Energy
- 43/100
- Pop
- 14/100
- Length
- 8:58
- Released
- 2020
- Genre
- Tech House
- Loudness
- -10.8 dB
- Dynamics
- 10.4 dB
- ISRC
- US83Z2030429
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Feraq (Armen Miran Remix) is a club-tempo tech house track in D major (10B) at 119 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 90% of Namito's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 87% of Namito's catalogue
- Tempo:
- slower than 81% of Namito's catalogue
- Brightness:
- brighter than 80% of Namito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Feraq (Armen Miran Remix) in?
Feraq (Armen Miran Remix) by Namito is in D major, or 10B on the Camelot wheel.
What BPM is Feraq (Armen Miran Remix)?
Feraq (Armen Miran Remix) runs at 119 BPM, a club-tempo track.
What mixes well with Feraq (Armen Miran Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Feraq (Armen Miran Remix) good for peak time?
With energy 43 out of 100 at 119 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 119 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More tech house
More from Namito
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.