Good Times by Sydka cover art

Good Times

Sydka

30s preview

Key
3B · D♭ major
BPM
118
Open Key
8d
Energy
42/100
Pop
9/100
Length
8:10
Released
2024
Genre
Electro
Loudness
-13.8 dB
Dynamics
12.9 dB
ISRC
US83Z2409824

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 118 BPM in D♭ major (3B), Good Times is a mid-tempo electro production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More bass-heavy than 95% of Sydka's catalogue.

Reach:
better known than 82% of Sydka's catalogue
Energy:
calmer than 81% of Sydka's catalogue
Brightness:
brighter than 81% of Sydka's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood45Balanced
Groove81
Acoustic1
Instrumental92
Live8
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
10%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Good Times in?

Good Times by Sydka is in D♭ major, or 3B on the Camelot wheel.

What BPM is Good Times?

Good Times runs at 118 BPM, a mid-tempo track.

What mixes well with Good Times?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Good Times good for peak time?

With energy 42 out of 100 at 118 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 118 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More electro

More from Sydka

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track