Jibberish by Sydka cover art

Jibberish

Sydka

30s preview

Key
10B · D major
BPM
118
Open Key
3d
Energy
67/100
Pop
20/100
Length
6:23
Released
2025
Genre
Electro
Loudness
-9.3 dB
Dynamics
8.3 dB
ISRC
DEPQ62501559

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A mid-tempo electro cut, Jibberish sits in D major (10B) at 118 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 92% of Sydka's catalogue. In a set it works best as a mid-set roller.

Energy:
hotter than 79% of Sydka's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood33Dark
Groove81
Acoustic0
Instrumental88
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Jibberish in?

Jibberish by Sydka is in D major, or 10B on the Camelot wheel.

What BPM is Jibberish?

Jibberish runs at 118 BPM, a mid-tempo track.

What mixes well with Jibberish?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Jibberish good for peak time?

With energy 67 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 118 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More electro

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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