Hold On
- BPM
- 118
- Open Key
- 8m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 9:05
- Released
- 2013
- Genre
- Techno
- Loudness
- -9.9 dB
- ISRC
- FR9T00900118
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 118 BPM in B♭ minor (3A), Hold On is a mid-tempo techno production. It reads as dark and driving. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Traumer's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 94% of Traumer's catalogue
- Groove:
- less groove-driven than 89% of Traumer's catalogue
- Brightness:
- darker than 84% of Traumer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hold On in?
Hold On by Traumer is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Hold On?
Hold On runs at 118 BPM, a mid-tempo track.
What mixes well with Hold On?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Hold On good for peak time?
With energy 65 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More techno
More from Traumer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
