Voices In My Head - Damian Lazarus Extended Re-Shape by Damian Lazarus cover art

Voices In My Head - Damian Lazarus Extended Re-Shape

Damian Lazarus

30s preview

Key
9B · G major
BPM
118
Open Key
2d
Energy
65/100
Pop
14/100
Length
7:52
Released
2023
Album
Temple Of Dreams (Remixes Part 1)
Genre
Tech House
Loudness
-10.3 dB
Dynamics
19.1 dB
ISRC
GBJX32005120

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 118 BPM), this version holds the same tempo in the same key.

Voices In My Head - Damian Lazarus Extended Re-Shape is a mid-tempo tech house track in G major (9B) at 118 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). More treble-tilted than 93% of Damian Lazarus's catalogue. For programming, treat it as a mid-set roller.

Reach:
better known than 83% of Damian Lazarus's catalogue
Tempo:
slower than 77% of Damian Lazarus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood33Dark
Groove73
Acoustic3
Instrumental71
Live8
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Voices In My Head - Damian Lazarus Extended Re-Shape in?

Voices In My Head - Damian Lazarus Extended Re-Shape by Damian Lazarus is in G major, or 9B on the Camelot wheel.

What BPM is Voices In My Head - Damian Lazarus Extended Re-Shape?

Voices In My Head - Damian Lazarus Extended Re-Shape runs at 118 BPM, a mid-tempo track.

What mixes well with Voices In My Head - Damian Lazarus Extended Re-Shape?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Voices In My Head - Damian Lazarus Extended Re-Shape good for peak time?

With energy 65 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 118 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More tech house

More from Damian Lazarus

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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