You Should Not Exit
- Key
- 1B · B major
- BPM
- 118
- Open Key
- 6d
- Energy
- 63/100
- Pop
- 2/100
- Length
- 6:15
- Released
- 2018
- Album
- Love EP
- Genre
- House
- Loudness
- -10.4 dB
- ISRC
- DEPL91800152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 118 BPM in B major (1B), You Should Not Exit is a mid-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Slower than 93% of Tilman's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 87% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Should Not Exit in?
You Should Not Exit by Tilman is in B major, or 1B on the Camelot wheel.
What BPM is You Should Not Exit?
You Should Not Exit runs at 118 BPM, a mid-tempo track.
What mixes well with You Should Not Exit?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is You Should Not Exit good for peak time?
With energy 63 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 118 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.