Ocean Drive - Purple Disco Machine Extended Mix
30s preview
- BPM
- 118
- Open Key
- 6m
- Energy
- 71/100
- Pop
- 38/100
- Length
- 6:02
- Released
- 2020
- Album
- Ocean Drive (Purple Disco Machine Remix)
- Genre
- House
- Loudness
- -6.1 dB
- Dynamics
- 10.7 dB
- ISRC
- GBUM72003103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ocean Driveoriginal1A · 115
- Ocean Drive - Michael Calfan Remixremix1A · 123
- Ocean Drive - Hayden James Remixremix4A · 120
- Ocean Drive - Shaun Frank Remixremix1A · 124
- Ocean Drive - Purple Disco Machine Remixremix1A · 118
- Ocean Drive - Alison Wonderland Remixremix1A · 132
Against the original (1A at 115 BPM), this version runs 3 BPM faster in the same key.
At 118 BPM in A♭ minor (1A), Ocean Drive - Purple Disco Machine Extended Mix is a mid-tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 98% of Duke Dumont's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 95% of Duke Dumont's catalogue
- Reach:
- better known than 88% of Duke Dumont's catalogue
- Groove:
- groovier than 86% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Ocean Drive - Purple Disco Machine Extended Mix in?
Ocean Drive - Purple Disco Machine Extended Mix by Duke Dumont is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Ocean Drive - Purple Disco Machine Extended Mix?
Ocean Drive - Purple Disco Machine Extended Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Ocean Drive - Purple Disco Machine Extended Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Ocean Drive - Purple Disco Machine Extended Mix good for peak time?
With energy 71 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 118 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
