Ocean Drive
30s preview
- BPM
- 115
- Open Key
- 6m
- Energy
- 69/100
- Pop
- 66/100
- Length
- 4:40
- Released
- 2015
- Genre
- House
- Label
- Virgin EMI Records
- Loudness
- -5.6 dB
- Dynamics
- 13.9 dB
- ISRC
- GBUM71507090
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ocean Drive - Michael Calfan Remixremix1A · 123
- Ocean Drive - Purple Disco Machine Extended Mixversion1A · 118
- Ocean Drive - Hayden James Remixremix4A · 120
- Ocean Drive - Shaun Frank Remixremix1A · 124
- Ocean Drive - Purple Disco Machine Remixremix1A · 118
- Ocean Drive - Alison Wonderland Remixremix1A · 132
Ocean Drive runs 115 BPM in A♭ minor (1A), a mid-tempo house record. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Better known than 99% of Duke Dumont's catalogue.
- Tempo:
- slower than 96% of Duke Dumont's catalogue
- Low end:
- more treble-tilted than 91% of Duke Dumont's catalogue
- Energy:
- calmer than 83% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Ocean Drive in?
Ocean Drive by Duke Dumont is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Ocean Drive?
Ocean Drive runs at 115 BPM, a mid-tempo track.
What mixes well with Ocean Drive?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Ocean Drive good for peak time?
With energy 69 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 115 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
