Ain't Giving Up - Paul Woolford’s Special Request Remix
- BPM
- 134
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 47/100
- Length
- 3:28
- Released
- 2025
- Album
- Ain’t Giving Up (Paul Woolford’s Special Request Remix)
- Genre
- House
- Label
- EMI
- Loudness
- -6.1 dB
- ISRC
- GBUM72500493
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain’t Giving Uporiginal11A · 134
- Ain't Giving Up - Paul Woolford’s Special Request Dubversion11A · 134
- Ain't Giving Up - Paul Woolford’s Special Request Extended Mixversion11A · 134
- Ain't Giving Uporiginal11A · 133
Against the original (11A at 134 BPM), this version holds the same tempo in the same key.
Ain't Giving Up - Paul Woolford’s Special Request Remix: peak-time tempo house, F♯ minor (11A), 134 BPM. The feel is punchy, neutral in mood. It is vocal-led. Better known than 94% of Duke Dumont's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 90% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ain't Giving Up - Paul Woolford’s Special Request Remix in?
Ain't Giving Up - Paul Woolford’s Special Request Remix by Duke Dumont is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ain't Giving Up - Paul Woolford’s Special Request Remix?
Ain't Giving Up - Paul Woolford’s Special Request Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Ain't Giving Up - Paul Woolford’s Special Request Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ain't Giving Up - Paul Woolford’s Special Request Remix good for peak time?
With energy 89 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
