Ain't Giving Up
- BPM
- 133
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:12
- Released
- 2025
- Album
- Union
- Genre
- House
- Label
- EMI
- Loudness
- -3.4 dB
- ISRC
- GBUM72502332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain't Giving Up - Paul Woolford’s Special Request Remixremix11A · 134
- Ain’t Giving Uporiginal11A · 134
- Ain't Giving Up - Paul Woolford’s Special Request Dubversion11A · 134
- Ain't Giving Up - Paul Woolford’s Special Request Extended Mixversion11A · 134
Ain't Giving Up is a peak-time tempo house track in F♯ minor (11A) at 133 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Duke Dumont's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 95% of Duke Dumont's catalogue
- Groove:
- less groove-driven than 91% of Duke Dumont's catalogue
- Tempo:
- faster than 88% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ain't Giving Up in?
Ain't Giving Up by Duke Dumont is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ain't Giving Up?
Ain't Giving Up runs at 133 BPM, a peak-time tempo track.
What mixes well with Ain't Giving Up?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ain't Giving Up good for peak time?
With energy 94 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 133 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
