She’s Gone, Dance On (Todd Edwards Remix)
30s preview
- BPM
- 134
- Open Key
- 5m
- Energy
- 91/100
- Pop
- 31/100
- Length
- 3:14
- Released
- 2024
- Genre
- House
- Loudness
- -6.4 dB
- Dynamics
- 11.8 dB
- ISRC
- USA2P2442098
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She’s Gone, Dance On (Carlita Remix)remix1A · 131
- She’s Gone, Dance On (Hamdi Remix)remix2B · 160
- She’s Gone, Dance Onoriginal1A · 134
- She’s Gone, Dance Onoriginal12A · 134
- She’s Gone, Dance On (Live From The Mews)original12A · 116
Against the original (1A at 134 BPM), this version holds the same tempo and moves the key from 1A to 12A.
At 134 BPM in D♭ minor (12A), She’s Gone, Dance On (Todd Edwards Remix) is a peak-time tempo house production. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 87% of Disclosure's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 83% of Disclosure's catalogue
- Reach:
- better known than 80% of Disclosure's catalogue
- Tempo:
- faster than 78% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is She’s Gone, Dance On (Todd Edwards Remix) in?
She’s Gone, Dance On (Todd Edwards Remix) by Disclosure is in D♭ minor, or 12A on the Camelot wheel.
What BPM is She’s Gone, Dance On (Todd Edwards Remix)?
She’s Gone, Dance On (Todd Edwards Remix) runs at 134 BPM, a peak-time tempo track.
What mixes well with She’s Gone, Dance On (Todd Edwards Remix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is She’s Gone, Dance On (Todd Edwards Remix) good for peak time?
With energy 91 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 134 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
