King Steps (Interplanetary Criminal Remix)
30s preview
- BPM
- 136
- Open Key
- 4m
- Energy
- 89/100
- Pop
- 54/100
- Length
- 4:29
- Released
- 2025
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 11.0 dB
- ISRC
- USA2P2467045
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- King Stepsoriginal9B · 133
- King Stepsoriginal3A · 123
Against the original (9B at 133 BPM), this version runs 3 BPM faster and moves the key from 9B to 11A.
At 136 BPM in F♯ minor (11A), King Steps (Interplanetary Criminal Remix) is a driving up-tempo house production. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 95% of Disclosure's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Disclosure's catalogue
- Tempo:
- faster than 82% of Disclosure's catalogue
- Energy:
- hotter than 78% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is King Steps (Interplanetary Criminal Remix) in?
King Steps (Interplanetary Criminal Remix) by Disclosure is in F♯ minor, or 11A on the Camelot wheel.
What BPM is King Steps (Interplanetary Criminal Remix)?
King Steps (Interplanetary Criminal Remix) runs at 136 BPM, a driving up-tempo track.
What mixes well with King Steps (Interplanetary Criminal Remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is King Steps (Interplanetary Criminal Remix) good for peak time?
With energy 89 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 136 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
