Last 1s Left
30s preview
- BPM
- 137
- Open Key
- 4d
- Energy
- 90/100
- Pop
- 57/100
- Length
- 3:46
- Released
- 2025
- Genre
- House
- Loudness
- -3.6 dB
- Dynamics
- 8.8 dB
- ISRC
- GBARL2501321
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Last 1s Left runs 137 BPM in A major (11B), a driving up-tempo house record. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 88% of Fred again's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 88% of Fred again's catalogue
- Brightness:
- darker than 82% of Fred again's catalogue
- Groove:
- groovier than 79% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Last 1s Left in?
Last 1s Left by Fred again is in A major, or 11B on the Camelot wheel.
What BPM is Last 1s Left?
Last 1s Left runs at 137 BPM, a driving up-tempo track.
What mixes well with Last 1s Left?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Last 1s Left good for peak time?
With energy 90 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 137 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
