Rilis 07 B1 - Joseph Capriati edit by Joseph Capriati cover art

Rilis 07 B1 - Joseph Capriati edit

Joseph Capriati

30s preview

Key
3A · B♭ minor
BPM
137
Open Key
8m
Energy
96/100
Pop
0/100
Length
7:37
Released
2018
Album
Rilis classics Joseph Capriati reinterpretations
Genre
Techno
Loudness
-10.4 dB
Dynamics
12.2 dB
ISRC
ITTQF1800001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Rilis 07 B1 - Joseph Capriati edit sits in B♭ minor (3A) at 137 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Darker than 99% of Joseph Capriati's catalogue. For programming, treat it as a peak-time weapon.

Reach:
more underground than 99% of Joseph Capriati's catalogue
Energy:
hotter than 98% of Joseph Capriati's catalogue
Tempo:
faster than 94% of Joseph Capriati's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood4Dark
Groove78
Acoustic0
Instrumental95
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Rilis 07 B1 - Joseph Capriati edit in?

Rilis 07 B1 - Joseph Capriati edit by Joseph Capriati is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Rilis 07 B1 - Joseph Capriati edit?

Rilis 07 B1 - Joseph Capriati edit runs at 137 BPM, a driving up-tempo track.

What mixes well with Rilis 07 B1 - Joseph Capriati edit?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Rilis 07 B1 - Joseph Capriati edit good for peak time?

With energy 96 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 137 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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