Ocean Drive - Karma Kid Remix
- BPM
- 135
- Open Key
- 5d
- Energy
- 84/100
- Pop
- 10/100
- Length
- 3:54
- Released
- 2015
- Album
- Ocean Drive (Remixes)
- Genre
- Deep House
- Label
- Blasé Boys Club
- Loudness
- -6.7 dB
- ISRC
- GBUM71506399
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ocean Driveoriginal1A · 115
- Ocean Drive - Michael Calfan Remixremix1A · 123
- Ocean Drive - Purple Disco Machine Extended Mixversion1A · 118
- Ocean Drive - Hayden James Remixremix4A · 120
- Ocean Drive - Shaun Frank Remixremix1A · 124
- Ocean Drive - Purple Disco Machine Remixremix1A · 118
Against the original (1A at 115 BPM), this version runs 20 BPM faster and moves the key from 1A to 12B.
Ocean Drive - Karma Kid Remix: driving up-tempo deep house, E major (12B), 135 BPM. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. A 2015 production that still circulates in sets. Faster than 96% of Duke Dumont's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 96% of Duke Dumont's catalogue
- Low end:
- more treble-tilted than 87% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Ocean Drive - Karma Kid Remix in?
Ocean Drive - Karma Kid Remix by Duke Dumont is in E major, or 12B on the Camelot wheel.
What BPM is Ocean Drive - Karma Kid Remix?
Ocean Drive - Karma Kid Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Ocean Drive - Karma Kid Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Ocean Drive - Karma Kid Remix good for peak time?
With energy 84 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 135 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
![Key103 [a56 edit] by Floating Points cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/9d735d805040364e8f3b.webp){kind=small}
More deep house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
