Kind Of Good Original - Original 1995 Classic
30s preview
- BPM
- 133
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 1/100
- Length
- 6:32
- Released
- 1995
- Album
- Kind Of Good (1995 Classic)
- Genre
- Tech House
- Loudness
- -10.7 dB
- Dynamics
- 13.6 dB
- ISRC
- NLK591000008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Kind Of Good Original - Original 1995 Classic sits in A♭ major (4B) at 133 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 1995 production that still circulates in sets. Faster than 97% of Booka Shade's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Booka Shade's catalogue
- Energy:
- hotter than 93% of Booka Shade's catalogue
- Low end:
- more treble-tilted than 84% of Booka Shade's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Kind Of Good Original - Original 1995 Classic in?
Kind Of Good Original - Original 1995 Classic by Booka Shade is in A♭ major, or 4B on the Camelot wheel.
What BPM is Kind Of Good Original - Original 1995 Classic?
Kind Of Good Original - Original 1995 Classic runs at 133 BPM, a peak-time tempo track.
What mixes well with Kind Of Good Original - Original 1995 Classic?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Kind Of Good Original - Original 1995 Classic good for peak time?
With energy 90 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 133 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
