I Like That
- BPM
- 133
- Open Key
- 5m
- Energy
- 91/100
- Pop
- 14/100
- Length
- 5:03
- Released
- 2025
- Genre
- Tech House
- Loudness
- -6.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Like That: peak-time tempo tech house, D♭ minor (12A), 133 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Faster than 90% of Eddy M's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 90% of Eddy M's catalogue
- Groove:
- less groove-driven than 89% of Eddy M's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Like That in?
I Like That by Eddy M is in D♭ minor, or 12A on the Camelot wheel.
What BPM is I Like That?
I Like That runs at 133 BPM, a peak-time tempo track.
What mixes well with I Like That?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is I Like That good for peak time?
With energy 91 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 133 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More tech house
More from Eddy M
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
