Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix
30s preview
- BPM
- 133
- Open Key
- 4m
- Energy
- 91/100
- Pop
- 22/100
- Length
- 3:31
- Released
- 2025
- Album
- Is Everybody Having Fun? (feat. rhys from the sticks) [bullet tooth Remix]
- Genre
- House
- Loudness
- -4.9 dB
- Dynamics
- 8.7 dB
- ISRC
- USUG12505281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Is Everybody Having Fun? (feat. rhys from the sticks)original8B · 131
Against the original (8B at 131 BPM), this version runs 2 BPM faster and moves the key from 8B to 11A.
Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix runs 133 BPM in F♯ minor (11A), a peak-time tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Groovier than 97% of John Summit's catalogue.
- Tempo:
- faster than 85% of John Summit's catalogue
- Brightness:
- brighter than 83% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix in?
Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix by John Summit is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix?
Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix runs at 133 BPM, a peak-time tempo track.
What mixes well with Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Is Everybody Having Fun? (feat. rhys from the sticks) - bullet tooth Remix good for peak time?
With energy 91 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 133 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
