Where You Are
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 83/100
- Pop
- 71/100
- Length
- 3:56
- Released
- 2023
- Genre
- House
- Label
- Off The Grid Records
- Loudness
- -6.4 dB
- Dynamics
- 9.9 dB
- ISRC
- USUG12301338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where You Are - GRiZ Remixremix8A · 140
- Where You Are - Zedd Remixremix8A · 130
- Where You Areoriginal9A · 130
- Where You Are (Orchestral Version) - Live At The Forumoriginal8A · 132
- Where You Are (Orchestral Version) - Live At The Forumoriginal8A · 132
- Where You Are - Millero Remixremix8A · 126
Where You Are is a club-tempo house track in A minor (8A) at 126 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of John Summit's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 87% of John Summit's catalogue
- Groove:
- less groove-driven than 83% of John Summit's catalogue
- Low end:
- more treble-tilted than 78% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Where You Are in?
Where You Are by John Summit is in A minor, or 8A on the Camelot wheel.
What BPM is Where You Are?
Where You Are runs at 126 BPM, a club-tempo track.
What mixes well with Where You Are?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Where You Are good for peak time?
With energy 83 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
