All These Roads by Sultan + Shepard cover art

All These Roads

Sultan + Shepard

30s preview

Key
7A · D minor
BPM
126
Open Key
12m
Energy
86/100
Pop
29/100
Length
3:41
Released
2013
Genre
Progressive House
Loudness
-3.4 dB
Dynamics
11.7 dB
ISRC
USAT21401521

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All These Roads: club-tempo progressive house, D minor (7A), 126 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More treble-tilted than 93% of Sultan + Shepard's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood28Dark
Groove64
Acoustic1
Instrumental0
Live22
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is All These Roads in?

All These Roads by Sultan + Shepard is in D minor, or 7A on the Camelot wheel.

What BPM is All These Roads?

All These Roads runs at 126 BPM, a club-tempo track.

What mixes well with All These Roads?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is All These Roads good for peak time?

With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 126 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from Sultan + Shepard

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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