
Afterlife (edit)
30s preview
- BPM
- 126
- Open Key
- 6m
- Energy
- 86/100
- Pop
- 10/100
- Length
- 7:18
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -6.9 dB
- Dynamics
- 9.0 dB
- ISRC
- GBEWA1908523
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Afterlife (edit) sits in A♭ minor (1A) at 126 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 89% of Spencer Brown's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 75% of Spencer Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Afterlife (edit) in?
Afterlife (edit) by Spencer Brown is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Afterlife (edit)?
Afterlife (edit) runs at 126 BPM, a club-tempo track.
What mixes well with Afterlife (edit)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Afterlife (edit) good for peak time?
With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Spencer Brown
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.