Red Tape (John Digweed & Nick Muir vs. Marco Bailey)
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:34
- Released
- 2013
- Album
- Versus
- Genre
- Progressive House
- Loudness
- -8.0 dB
- Dynamics
- 14.6 dB
- ISRC
- GBEPM1000673
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Red Tape (John Digweed & Nick Muir vs. Marco Bailey) sits in D major (10B) at 126 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. More underground than 99% of John Digweed's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of John Digweed's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 17%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Red Tape (John Digweed & Nick Muir vs. Marco Bailey) in?
Red Tape (John Digweed & Nick Muir vs. Marco Bailey) by John Digweed is in D major, or 10B on the Camelot wheel.
What BPM is Red Tape (John Digweed & Nick Muir vs. Marco Bailey)?
Red Tape (John Digweed & Nick Muir vs. Marco Bailey) runs at 126 BPM, a club-tempo track.
What mixes well with Red Tape (John Digweed & Nick Muir vs. Marco Bailey)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Red Tape (John Digweed & Nick Muir vs. Marco Bailey) good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from John Digweed
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
